Legacies Unlimited is committed to preserving the past and present for future generations. In addition to sharing memories that might otherwise be forever lost, we document "history in the making" by celebrating contemporary lives that add strong and vibrant threads to the rich tapestry of our nation's heritage.
Copies of the Limited First Edition of Mornings with Morley are now sold out. However, an on-line version of the title by author Ann Hauprich may be accessed free-of-charge though Ballston Spa Living. CLICK HERE to learn more and to view a video of the now late historian and toy-maker created by Mary Hauprich-Reilly.

When author Ann Hauprich stopped by the office of 85-year-old Ballston Spa History Consultant Maurice “Christopher” Morley in 2007 to present him with a signed and numbered copy of a bicentennial book he had helped her research, she expected it would be their last visit.

Instead the encounter marked the start of an unofficial apprentice-mentor relationship that would continue on weekday mornings for the next four years. By the time Morley passed away at age 89 in 2011, the lessons he had imparted had as much to do with the value of carving a lifetime legacy of caring and sharing as they did with the importance of preserving the past for future generations.

"Chris Morley took me under his wing after I published Ballston Spa: The Way We Were, The Way We Are at the end of 2007," said Hauprich. “Just when I thought my work was done, he talked me into commencing work on a second local history book (Ballston Spa: Legacies Unlimited) in 2008. It became part of my routine to spend an hour with Chris from about 7 to 8 o’clock each weekday morning.

The time was mutually convenient because it fell right in between when I had to transport my youngest daughter to the nearby high school and when Chris had to leave his office beneath Village Hall to attend to his crossing guard duties a few blocks away. By the time the second book came out in 2009, I couldn’t imagine starting my mornings without Morley and so the daily visits continued until shortly before his death in July 2011.”



Because Morley was challenged by a form of dyslexia, Hauprich would write down the tales he dictated from memory and then, at his urging, go to municipal directories and other archival sources to verify spellings of names, cross-check dates, addresses and so on. Many of the History Lessons that were compiled between 2009 and 2011 were donated to Ballston Spa Life while others have yet to be transcribed from Hauprich’s hand-written notes.

The stories behind some of those stories are included in Mornings with Morley while a photo gallery of his life can be found on this site.

Other chapters commemorate the proud former Boy Scout’s ancestral ties to Revolutionary War Scout Alexander Bryan, his years of service as US Marine during World War II. The inspiring vision that led to the establishment of the Maurice “Christopher” Morley Literacy Award for elementary students who demonstrate exceptional perseverance on the Road to Reading is additionally celebrated within the book’s covers.

Portrait of an artist

Behind-the-scenes with Phil Spaziani

Please click here to view a richly illustrated PDF version of this feature.

BY ANN HAUPRICH

Mornings with Morley cover artist Phil Spaziani has faced more than his share of uphill battles since surviving a brush with death on a Stillwater, NY hilltop in 1991. Although the gliding accident left him wheelchair-bound, the mild-mannered gent who in September 2018 will celebrate “the 45th anniversary of my 40th birthday” continues to make artistic leaps and bounds.

Indeed the latest in a series of drawings by the octogenarian promise to add even greater dimension to his legacy which has included exhibits in New York City and Washington DC galleries as well as works in private and public collections and a distinguished career as a high school art teacher.

Other credits include designing the historic markers displayed on historic homes in the Village of Ballston Spa, NY. Among them is the 1845 Federal townhouse on West High Street he and wife Lorraine meticulously restored in the 1980s.

Battling his way back from being “sidelined by life” many times over the past quarter of a century, (“I’ve had “more than my share of UTIs and kidney infections – a curse of paraplegia”), Phil credits recent drawing sessions at the Saratoga County Arts Center with helping him further improve his skills.

Phil also continues to venture out to snap photos of prospective subjects for his ever-expanding “Picturing A Village Series” using his iPhone. “I’m still out there looking for the right subjects, the right lighting and so on. I usually take three to six images to refer to while I’m painting.”

A sampling of the more than 40-piece collection was first shared with the public via a Strolling Village Artisans initiative in 2008. Other creations were showcased in “Views From the Saratoga Battlefield: Preserving Historic Lands.” Jointly sponsored by the Saratoga County Arts Center and the Saratoga National Historical Park, the invitational show debuted in Saratoga Springs where it received rave reviews before being moved to the Visitor Center at the battlefield.

Because so much of what the father of three and grandfather of four accomplishes takes place behind-the-scenes, many are not aware of his contributions to such educational institutions as Brookside Museum on Charlton Street and the National Bottle Museum on Milton Avenue.

In addition, Phil forged enduring bonds of friendship with many of the students he taught at Scotia-Glenville High School from the 1970s to the early 1990s.

As much as Phil enjoys painting and entertaining inside of his home, his favorite place to work and relax during the spring, summer and early autumn months is a spacious wheelchair-accessible back deck that affords beautiful bird’s eye views of surrounding scenery.

When the deck was completed in 2003 it was the first time Phil had been able to enjoy his backyard since the 1991 accident. In a bittersweet tale, he relates how the same year he became a paraplegic, his beloved brother Fred passed away from cancer.

“He was too sick to come and see me when I was recuperating from my accident and I was not in any condition at the time to travel to see him,” recalls Phil, but in a final act of caring, Fred Spaziani bequeathed a sum of money that was ultimately freed by his estate for the construction of the deck that today bears an engraved plague in the late sibling’s honor. It is here Phil is now putting the finishing touches on works-in-progress that he hopes will complete the portrait of his own life.

To learn more, please visit www.philspaziani.com.

Lorraine Spaziani began stringing
beaded necklaces as a newlywed

BY ANN HAUPRICH

Lorraine Spaziani has been collecting beads for as long as she can remember. But only recently have the pierced cylinders of diverse organic origins, colors, textures, shapes and sizes been tenderly removed from vintage cigar boxes and cookie tins to assume places of honor on distinctive mixed media necklaces created by their artisan owner.

“The first beads I ever owned were pink pearls that had belonged to my Nana, Eva Barrile,” recalls Lorraine, who has been wed for six decades to artist Phil Spaziani. “I still remember Nana, who was born in the late 1800s, wearing the beautiful necklace, which became mine after the string was broken. It took me forever to take the necklace apart because each pearl was knotted at both ends.”

Another early beaded acquisition was a necklace crafted from antique ivory – which was in wide use among jewelry makers during Lorraine’s childhood. Many other beads were purchased at garage sales between the 1950s to the 1990s when discarded “junk jewelry” could be had for a song. Over the decades, Lorraine also picked up some interesting looking stones, shells, glass shards, pieces of wood – even nuts that struck her fancy.

What each find shared in common was that it resembled a bead.

But it took signing up for fused glass and ceramics classes at the senior center operated by the City of Saratoga Springs, NY in 2010 to inspire the dozens of necklaces Lorraine has since designed and strung together in her home in the neighboring Village of Ballston Spa.

Each necklace is a unique mixture of clay beads as well as old and new glass – the latter sometimes accented by whimsical nautical themes that celebrate Lorraine’s eastern seaboard roots. The fish, crabs and octopi are just a few of the aquatic shapes that serve as reminders of the years when Lorraine’s ocean-loving father gifted her with seasoned cod line for stringing her very first necklaces.

While Lorraine no longer owns even a single sample of her early jewelry making, both she and Phil share fond memories of how – and why – her very first beaded necklaces came to be.

As poor as church mice during their years as college art students in Massachusetts in the late 1950s and early 1960s, Lorraine and Phil came to depend on the sale of her single stringed necklaces to keep their financial boat afloat. Despite her studio talents, Lorraine insists she couldn’t roll a perfectly round ball out of clay so instead produced shallow cones — which had to be individually pierced with a fine straw prior to kiln firing.

“People loved Lorraine’s necklaces so much that it was often hard to keep up with the demand for them,” reflects Phil, who worked two jobs during the couple’s college years to supplement his income from the GI Bill. As he recalls, the clay used to fashion Lorraine’s hand-made beads darkened to a nice rich brown after kiln firing. She would then painstakingly string the beads with her father’s cod line.

“It was three-ply cord that had to go up, around and through each individual bead to securely hold them in place,” smiles Lorraine, who remembers creating “dozens and dozens” of the single string necklaces. “Looking back, I’m not sure how I managed to be so productive on top of my studies and a part-time job in the notions department at an F. W. Woolworths, but we were poverty-stricken so Phil and I both did whatever needed to be done to pay our bills.”

Stringing beads today is anything but stressful for Lorraine. Indeed she describes the process —which now takes place inside of a sunny home-based studio — as “very relaxing, almost therapeutic. If I’m worried about something when I start stringing beads, I usually can’t remember was it was by the time I finish,” muses Lorraine.

Memories of yesteryear prompt loving glances and nostalgic exchanges between her and the man who first caught her eye when he was Master of Ceremonies at an elementary school event at school in 1940s. “My mother has taken me to see the show because my older sister Nataline, who had a wonderful and powerful voice, was singing.”

Nataline was introduced by Phil, then in Grade 6 and five years Lorraine’s senior. “I can still see him standing there in his little yellow shirt and brown pants. He made a lasting impression.”

Because of their five-year age difference, Lorraine and Phil didn’t reconnect until after he (a Winthrop High School Class of 1953 graduate) saw a grown up version of her (a Winthrop High School Class of 1958 graduate) in a hometown business known as Freddie’s Barber Shop.

“I wanted a cap cut shaggy do like the one Marlo Brando had sported in the role of Caesar. None of the lady hairdressers would give me the style I wanted, so I went to see Freddie.” His saying “I do” to doing the cap cut shaggy do ultimately led to I dos. At the time of their marriage, Phil said he “had just turned 25, but looked 15, while Lorraine had just turned 20, but looked 12.”

Needing to share a breakfast teabag to stretch their grocery funds and using tin cans to repair the muffler and tail pipe on their maroon 1951 Dodge Sedan – which often ran on spare tires that had been tossed away as refuse at service stations — are but a few of the memories that bind them together.

“There’s no doubt that we’re more appreciative of the bounty we have today because of all we did without as newlyweds,” muses Phil, who can often be found drawing or painting in a downstairs studio while Lorraine is being creative upstairs.

In addition to creating necklaces and pottery, Lorraine also designs colorful fused glass pins and pendants, necklaces and earrings and decorative fused glass items for windows. “My degree is in ceramic design and my focus has been on hand built pottery. Beading, fused glass and felting are all recent forms my creative juices have embraced,” explains Lorraine.

Masterpieces by Phil Spaziani to be
part of exhibit at The Mansion Inn
Innkeeper says artist’s life has been an inspiration

Pamela Stendardi first met Phil Spaziani when they were attending a life drawing class at the Saratoga County Arts Council two decades ago.
Remembering Phil as an uplifting presence in the classroom, Pamela says he was “always helpful and encouraging.”

A mentoring relationship soon blossomed, with Phil offering Pamela what she terms “much needed guidance” on topics ranging from how to get museum-quality matting to how to promote her works of art. (Portfolio samples may be viewed on www.stendardiart.com.)

“My friendship with Phil has been a gift,” reflects Pamela. “His amazing talent as a successful artist, knowledge as a teacher, and strength in times of adversity have been an inspiration to me in my own life journey.”

Pamela, who is now also The Innkeeper at The Mansion near Saratoga Springs, NY (www.themansionsaratoga.com), says it was a special honor to invite Phil to participate in the June 2017 ART IN THE BARN exhibit at The Mansion.

Click on links below to view some works by fine artist Phil Spaziani.
1.) Abner Doubleday Birthplace -- By Phil Spaziani.
2.) The Old Iron Spring -- By Phil Spaziani
3.) The Old Chocolate Factory from Historic Horse Alley -- By Phil Spaziani
4.) Bridge from Fairground Hill -- By Phil Spaziani
5.) Hop City Road Brick -- By Phil Spaziani